sunandmoon

Source A 06:12, 06:16 06:12 1 The root digit; a point or a circle, not a duet. Black standard – hover. 2 The fount. Opposite, and polar – the line. 3 The minor – triangular. Wit, a tutor of the second – a quiver. 4 Major, or the square: a fix, a gradient – a scale. Skeleton. 5 Minute integer; agent of a quartet. A note on a blank canvas – a pin. 6 Naught. screw. 7 The enigma; corrival for the root digit. Sinister asylum, the lens. 8 Eclipse number. Opulent mien – a lever. 9 Bone – immaturity. The phobia, temper; a nexus. 10 The flux, a cross of hue and tint, multiplied. The perfect blend; the fly. 06:16 2 (8) Band (.2). 3 (9) Bezel (.5). 1 (10) Lug (.1). In reference to {Source A}, I will now show axioms for each number in the form of Hard Problems. A point, or, a circle; the descript. THE UNIVERSAL HARD PROBLEM, "a factor is understood logically or creatively"; further, all existence is a point in time, or part of nature, not the duet (i.e. never a point in time and part of nature). Opposite, and polar; THE VIOLENT HARD PROBLEM. You may not know another, 100%, only 3/4. We are opposite and polar, when you and another connect, you both remain different. triangular; CREATING A HARD PROBLEM. Simple. "Simple" is the hard problem, and it is possible to answer if you try. the square; HARD PROBLEM IN A HARD PROBLEM. Complexity. You need Number 5 to understand 4, and Number 6 to acknowledge 4. 4, is understood when Number 3 is acknowledged. agent of a quartet; A HARSH HARD PROBLEM. Effort is required to discover, "4, is understood when Number 3 is acknowledged" - an answer. There are many configurations of Number 3. (An explanation is not provided; 6 is kept secret. "Naught. screw" is creativity to hint). NO HARD PROBLEM. corrival for the root digit; HARD PROBLEM OF HARD PROBLEMS. To know Number 1 to 6, is to acknowledge 7. (An explanation is not provided; 8 is not a number but a symbol that comes after Number 7) A EASY HARD PROBLEM. If Number 7 is acknowledged, you learned. What you had learned is pleasurable or painful - it comes naturally (i.e. no effort is required). 9 and 10 are false numbers; mathematics as language, and language as mathematics; misunderstanding Number 8, and repetition of the same Number 7.

06:12, 06:16 06:12 1 The root digit; a point or a circle, not a duet. Black standard hover. 2 The fount. Opposite, and polar the line. 3 The minor triangular. Wit, a tutor of the second a quiver. 4 Major, or the square: a fix, a gradient a scale. Skeleton. 5 Minute integer; agent of a quartet. A note on a blank canvas a pin 6 Naught. screw. 7 The enigma; corrival for the root digit. Sinister asylum, the lens. 8 Eclipse number. Opulent mien a lever. 9 Bone immaturity. The phobia, temper; a nexus. 10 The flux, a cross of hue and tint, multiplied. The perfect blend; the fly. 06:16 2 (8) Band (.2). 3 (9) Bezel (.5). 1 (10) Lug (.1).

Your wish is my command. You win this debate, I forfeit.

What is the 3rd number?

Dragonfly is a poetry of number; of infinite letters, pages and world; it's wise of the 4th and wary of the 3rd. A work of art.

The universal problem. A metaphor. The place is known by the observer; a place of random angles, of angles opposed, not diametrically, but symmetrically – a mark of a dragon. Dragonfly, a surge is science, a concept I have understood. I refer to a mark of a dragon; an angle diametrically opposed, must surge, for symmetry. In a first instance, the symmetry is mini, and in the second, great, and great ever-after. Infinite squares, a time machine. Red is divisible, therefore it is attractive; blue is infinitesimal, that is, it can't be subtracted to one; green is a stray of central yellow. A purple master and a pink. I refer to infinite squares; a shade of the same colour in each corner, stray light of dark imagination. In essence, trinity is lighter than singular – an irrational one lucky at many of horizon, by a square in the triangular demo, and demi, the jesters of time. An eclipse, or central manifold. The triangle and the squares. A simplification of the golden route, a sacrifice of a mother and father. The son and a daughter, the mark of the universe, that is, the 'dragonfly' element. I refer to a shadow of light of a duet of what I call harps; of which there are two kinds of a third composition. The Dragonfly is a shape known, and prior, “the censer”, artistically, or the sense of the unknown. The censer is a metaphor for 'opponent of the square', or the square's adequate; the same or similar composition, on many occasions. A second eighth, and a second sum. Number is the affluent; 1 is a simple stroke. 2, a stroke back. 3, primary colours, and a 4th day. A 5th for tomorrow of today and a 6th of tomorrow exactly – a 7th at the temple. 7th, a conundrum of 1 answered any way. 8 is a perfect number, metaphorically coagulation, damage and repair. Fluctuation of the infinite question, will I get what I want? A fourth a' and a 'triple a title'. 9 must be the perfect imperfection, to complete the 8th decomposed by the 7th on a second eight, a jest of the first. 10 is an impossible number, we earn 'the 10th respect' or the Sunlight afternoon. The 7th of number is another term for 10, a sequential number at the end. A rhythm as opposed to a beat, simply 221. Dragonfly is a poetry of number; of infinite letters, pages and world; it's wise of the 4th and wary of the 3rd. The winged shadow – a spark at yellow and timeless green. Yourself, deconstructed, the dragon, the 9th, a fly the 10th beholder.

Forgive me...

I was jesting that I would have chosen the same song.

Way ahead of you on that one...

Searching for a beautiful song...

Don't look, don't touch.

Cool. I honestly admire the shadow! Reminds me of a dragonfly.

What causes the shadow of my lightbulb to appear in the manner it does?

An eye set unevenly – a spring to his step. "The forest is astray with the cold moon deceit..." An affluent roar, a muddled expression; time is by his side! A sad stroke to a change in tone – discordant but poetic. “A perfect cut, my work is done. The heroes tale, and the villain's gun.” Eclipse

Thank you.

Where would be a good thread to find out what science isn't? Am I ruining my chances now?

Natural selection, after all - time is great. I don't stray too far from science, when writing stories, but I'm foolish, to the max.

I so too am not qualified in literature! We're in the same boat!

This is the kind of stuff I would like to post, would I be welcomed here? I'm interested in the sciences, and follow the method as well as the rules, but I'm not educated to perform science of my own - that is, I want to learn as much as I can, and contribute as a member of a community. I will not engage in pseudoscience, and I'll never, with intent, cause a member of higher expertise stand falsely accused my inadequacy. Thanks for the opportunity! 1 Would this work? I'm halfway through drafting my story and I haven't done the math, to see if it all adds up. The concept of time in this story, is different. The time generated in my story has taken account of room and space, with less focus on the center. My story about a man from another world, he is special and has hidden potential. His power is to influence life, and time is by his side... He goes back in time, and from here on out his/their appearance isn't described, but the author (I) can choose trinkets or symbols for each main character. The reader is expected and prompted to as slyly as possible, use their imagination, but not stray too far from the older depiction of characters. Can it work? Below is how I think it's explained scientifically! Trying to write the time continuum! You let the reader pick the style, by slight of hand. You describe a character. You have this character change time! This story continues, with focus on one of four routes (green, yellow, red, blue; green)., Illusion leads to reader understanding the original persona, and an imaginary persona. The four routes each have a spectrum; blue is the colour of secrets; red the colour of attraction, yellow the colour of cold, or warmth, and green is the colour of nature. The thought of "the green route", leads to harmonious reflection of set colours; the transfers between give the audience the chance to paint. 2 a) We need imagination to ascend reality and become religious - a believer in a deity and it's wisdom. b) We need imagination for all deities as no evidence can be found that deities exist. c) Wisdom found in holy books such as the Quran, the Bible and the Tao Te Jing, is to help us know imagination and utilize it to better ourselves. +A, B, CGod is imagination OR God supports imagination. 3 Eclipse A leather glove on his right, his hands were in it. He created heaven out of his mistake... The secret son of a witty tyrant of Earth; up there, he is a demon of hell; deep, bloody countenance, and a beak for his nose. He has taken refuge on the other-side of the moon, he creeps and crawls to their city. Food, water, or pain; in her case, pain. Her hidden desire for this moment, her instincts astray – she has a face I must respect. The universal bet between heaven and hell! Pain is your friend and fear is your enemy, the leader of each has a hand in it. You have died many times! Leader of the imperfect ones! The small lion from the film, lion king, rests on his hand, the greatest sacrifice ever, his hand in your dreams. It's her right foot preceding us, she is sick time; her body is a complex shape; a shape you need to be wise to comprehend, you must know all of her. Speak to her right foot, therefore... A secret back bit; he knows how to switch them around, create a black hole! His forefinger is his best bit, everyone knows it. The mechanics to your rival. He is the image of the sacrifice blue, he must lead us to the next dimension. The dragon cursed man, who's eyes burn like fire; they could be in a harsher hell. He likes the son who listens, a fire between them to take them through the night. The main dish in many universes, a tool In hells cell; the toughest nature, only three quarts, omen free quartz. The time continuum; her bangle made out of flowers, and a feather in his crown.