NANOVIBRANCY

[SymbioticA]

What is the experience of listening at the nanoscale?

 

A Live performance‐installation by Joel Ong

 

John Curtin Gallery on Sunday 10th July 2011

 

Gallery open: 4:30‐7:00pm

 

Nanovibrancy explores nanoscale activity through sound by amplifying the oscillations at the

surface of a model tympanic membrane in real time.

 

The culmination of his Masters in Biological Art degree, Joel Ong will present a sound piece which

repurposes the Atomic Force Microscope as a super‐sensitive listening device.

 

The AFM listens by scanning the surface vibrations on a silk membrane. The sample, currently

researched in otology as a graft material for chronic eardrum perforations, is probed in extension of

its research value, creating an audible documentation of cellular activity in situ.

 

Moving from the laboratory into the art gallery, the project shifts the observations of matter at the

nanoscale from the scientific eye to the artistic ear, amplifying the resonances of fact and fiction,

purity and interference through a site‐specific confluence of nano‐ and human‐scale listening.

 

In so doing, Nanovibrancy asks; "what is the experience of listening at the nanoscale?" Visitors

acquire a first‐hand experience of the vibrancy of matter at its smallest perspectival scale.

 

Nanovibrancy is an Artscience project realised at SymbioticA, the Centre of Excellence in Biological

Arts at the University of Western Australia and has the generous support of the Ear Science Institute

of Australia, the Nanochemistry Research Institute and the John Curtin Gallery at Curtin University.

 

 

[John Cuthber]

IIRC the displacement of the eardrum is about comparable with the size of a molecule anyway.

Everything you hear is nanoscale and it always was.