TheVat Posted November 20 Posted November 20 Stirring performance, lovely performer, and I loved the top comment which concerns coughing during a performance. (clicking on comments should show it first) I can play Asturias on piano, but on acoustic guitar it sounds so. much. better.
exchemist Posted December 11 Posted December 11 Continuing the guitar theme, time for a bit more Bach: Prelude from 1st Cello Suite played on the guitar by the lovely and talented Julia Lange: What I like about this performance is that, unlike some guitar performers of this piece on YouTube (there are quite a few) she doesn't try to make it all about herself by messing about with the tempo and inserting dynamic contrasts all the time, as if it were a Romantic piece. It's Baroque. She allows Bach's pulse (always very strong) to carry it forward and lets his cascades of notes do the expressive work, with just a little inflexion here and there to stress key moments. Very classy interpretation, I thought. And she looks as if she in a sort of calm and peaceful ecstasy throughout, which is rather delightful. 1
TheVat Posted December 12 Posted December 12 Brava. I like musicians who get to that sort of communion with the piece and invite you in (vs showoffy "look at me play, Ma!" stuff). If you like "ecstasy throughout," also may be seen in many BB King solos.
Ken Fabian Posted December 12 Posted December 12 (edited) I've been revisiting some of the music I liked when (much) younger. Not much of it still has appeal. Even going back over Beatles albums there were a lot that just don't do it for me, but still leaving some that really, really do. The hard rock likes of Led Zep, Deep Purple, I liked then, not much now. One band - at least some of their catalogue - has managed to impress me more than I expected going back around; I was a fan of Yes in 70's and 80's and much taken back then with Steve Howe's guitar and Rick Wakemen's keyboards especially. Still am but this time around I am floored by Chris Squire's bass playing. Not necessarily has wide appeal but since people seem to be including linked examples. (People who make videos of live performances suck at showing what anyone apart from lead singer and lead guitar are doing but this one segue's into Squire's signature solo piece - him showing off, and a bit indulgently; the basslines across so many songs are awesome, better than that imo, as often the lead instrument as not but so few videos show what he is doing (and how any video people who were AT a Yes concert failed to pay notice to him has me scratching my head)) - "Long Distance Runaround/The Fish" - Edited December 12 by Ken Fabian
StringJunky Posted Saturday at 05:41 PM Posted Saturday at 05:41 PM (edited) A new view angle from the twin towers tragedy, a chap just uploaded after 23 years. It's quite clear the collapse starts at the sites of impact and not a detonation at the bottom by a secret government cabal. Edited Saturday at 05:43 PM by StringJunky
Genady Posted Saturday at 07:07 PM Posted Saturday at 07:07 PM 1 hour ago, StringJunky said: the collapse starts at the sites of impact It sure did. I watched it from about 500 m.
StringJunky Posted Saturday at 09:05 PM Posted Saturday at 09:05 PM (edited) 1 hour ago, Genady said: It sure did. I watched it from about 500 m. Wow! I was doing a landscaping job at a house and the lady owner came running out and said a plane had crashed into the WTC, then we saw the second one. We knew then it was an attack. So sad and shocking to see and hear those people crashing down onto the foyer roof from inside cameras before they collapsed. You were standing 500m from the start of the mess we see today in the Middle East. Edited Saturday at 09:05 PM by StringJunky
Genady Posted Saturday at 09:38 PM Posted Saturday at 09:38 PM 29 minutes ago, StringJunky said: Wow! I was doing a landscaping job at a house and the lady owner came running out and said a plane had crashed into the WTC, then we saw the second one. We knew then it was an attack. So sad and shocking to see and hear those people crashing down onto the foyer roof from inside cameras before they collapsed. You were standing 500m from the start of the mess we see today in the Middle East. When the first plane crashed, I was straight under the WTC. 500m was how far I walked away before the structures collapsed.
StringJunky Posted Saturday at 10:13 PM Posted Saturday at 10:13 PM 34 minutes ago, Genady said: When the first plane crashed, I was straight under the WTC. 500m was how far I walked away before the structures collapsed. You had a close shave.
TheVat Posted yesterday at 03:06 AM Posted yesterday at 03:06 AM On 12/11/2024 at 11:53 PM, Ken Fabian said: I was a fan of Yes in 70's and 80's and much taken back then with Steve Howe's guitar and Rick Wakemen's keyboards especially. Still am but this time around I am floored by Chris Squire's bass playing. I underappreciated Yes back then, only really discovering them decades later. And Squire is amazing on bass, as in Roundabout. And, as you mention, much of Zeppelin or Deep Purple hasn't really stuck with me, though I occasionally find myself enjoying their instrumental pieces more now, like "Lazy" or "Kashmir." 9 hours ago, StringJunky said: A new view angle from the twin towers tragedy, a chap just uploaded after 23 years. It's quite clear the collapse starts at the sites of impact and not a detonation at the bottom by a secret government cabal. I was on the grassy knoll in Dallas, in 1963. Just some weeds and burger wrappers. Funny how those weird theories get so much traction. There was footage I saw on the news that evening, 9-11-2001, where it was pretty clear where the pancaking started. 2
Ken Fabian Posted 18 hours ago Posted 18 hours ago 17 hours ago, TheVat said: I underappreciated Yes back then, only really discovering them decades later. And Squire is amazing on bass, as in Roundabout. And, as you mention, much of Zeppelin or Deep Purple hasn't really stuck with me, though I occasionally find myself enjoying their instrumental pieces more now, like "Lazy" or "Kashmir." It isn't to everyone's taste and the lyrics seem more about atmosphere than story or meaning - but I do like Yes. They didn't tour Australia much and I missed them every time. In truth I don't spend a lot of time listening to music, not even as radio in the background and get my regular music "hits" from messing around with a nylon guitar - sloppy, choppy, undisciplined and over time the flaws have morphed into features, but I have fun with it. What listening I do can include anything from JJ Cale to Beethoven (Violin Concerto lately, with Isaac Stern). Django and Stefan. Jazz mixes - Dave Brubeck, Cannonball Adderley, Mongo Santamaria, Satchmo, the "easy listening" sorts - a lot of Jazz doesn't work for me.
StringJunky Posted 17 hours ago Posted 17 hours ago (edited) 36 minutes ago, Ken Fabian said: Dave Brubeck, Cannonball Adderley, Mongo Santamaria, Satchmo, the "easy listening" sorts - a lot of Jazz doesn't work for me. Jazz really needs to be heard in the flesh. I saw a South African Jazz pianist with double bassist, brass wind player and drummer. They seemed to meld all styles together and it was a masterclass in musicality and precision. The drummer was like a clock with swing. I'm normally into Blues, Pink Floyd, Progressive etc. Yes, I bow to their skill and the ease with which the jazz players improvise. I've just got back my deep-bodied OM after 6 years from my nephew. Its tone has matured well. It is 18 years since I had it built. Edited 17 hours ago by StringJunky 1
Ken Fabian Posted 16 hours ago Posted 16 hours ago 16 minutes ago, StringJunky said: I've just got back my deep-bodied OM after 6 years from my nephew. Its tone has matured well. It is 18 years since I had it built. Hats off to your woodworking skills then. And perhaps your ability to source suitable wood too. No small project to make a guitar - to have it turn out good has to be gratifying. As for Yes and their lyrics - they always seemed a bit... close to the edge... of some deeper meaning. Which I didn't quite get. But maybe that was the intention?
exchemist Posted 16 hours ago Posted 16 hours ago More Bach arranged for different instruments, this time parts of the C Minor Lute suite played on the harp: There's a certain restful gentleness to the harp version: good to listen to last thing at night.
StringJunky Posted 14 hours ago Posted 14 hours ago 1 hour ago, Ken Fabian said: Hats off to your woodworking skills then. And perhaps your ability to source suitable wood too. No small project to make a guitar - to have it turn out good has to be gratifying. As for Yes and their lyrics - they always seemed a bit... close to the edge... of some deeper meaning. Which I didn't quite get. But maybe that was the intention? I paid for it to be built. Yes's lyrics were more a medium for Anderson's voice, I think. More to evoke emotions rather than concrete concepts. 1 hour ago, exchemist said: More Bach arranged for different instruments, this time parts of the C Minor Lute suite played on the harp: There's a certain restful gentleness to the harp version: good to listen to last thing at night. I like Baroque. Here's another Bach piece on guitar by Vidovic. I prefer Julian Byzantine, but she is close.
TheVat Posted 13 hours ago Posted 13 hours ago 4 hours ago, Ken Fabian said: Jazz mixes - Dave Brubeck, Cannonball Adderley, Mongo Santamaria, Satchmo, the "easy listening" sorts - a lot of Jazz doesn't work for me. Always like Brubeck, and play a couple of his pieces on my 400 lb. 230 string guitar, partly thanks to hand injuries Brubeck suffered early in his career which caused him to develop a style that is easier to play for those of us with shorter fingers. Adderly very listenable, very much a poet who recites through his sax. That sextet he was in, with Davis, Coltrane, Evans, et al, really had no weak links. 3 hours ago, Ken Fabian said: Hats off to your woodworking skills then. And perhaps your ability to source suitable wood too. No small project to make a guitar - to have it turn out good has to be gratifying. OM refers to a type of guitar manufactured by Martin.
Ken Fabian Posted 11 hours ago Posted 11 hours ago 3 hours ago, StringJunky said: I paid for it to be built. Oops, misread that - had it built, had built it. My own guitar is Takamine C136s classical, which was acquired more by chance than intent. I'd always thought it sounded good but it is getting in need of re-fretting and has two splits in the top (from a drought/extreme low humidity a few years back) so I tried out a couple of classical guitars at a local music shop. None sounded anywhere near as good. When finances permit I'll have it repaired. 1
StringJunky Posted 3 hours ago Posted 3 hours ago 8 hours ago, Ken Fabian said: Oops, misread that - had it built, had built it. My own guitar is Takamine C136s classical, which was acquired more by chance than intent. I'd always thought it sounded good but it is getting in need of re-fretting and has two splits in the top (from a drought/extreme low humidity a few years back) so I tried out a couple of classical guitars at a local music shop. None sounded anywhere near as good. When finances permit I'll have it repaired. Time is part of the making of the tone, like wine its bouquet. Also, you know that guitar and can get the sound you want out of it. With a new guitar you have to start again.
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